best date outfits for guys

Necklines of day dresses dropped even lower into a V-shape, causing a need to cover the bust area with a chemisette. In contrast, evening dresses featured a Berthawhich completely exposed the shoulder area instead.

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Bodices began to extend over the hips, while the sleeves opened further and increased in fullness. The volume and width of the skirt continued to increase, especially duringwhen rows of flounces were added. Nevertheless, inskirts expanded even further; creating a dome shape, due to the invention of the first artificial cage best date outfits for guys. The purpose of the crinoline was to create an artificial hourglass silhouette by accentuating the hips, and fashioning an illusion of a small waist; along with the corset.

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The cage crinoline was constructed by joining thin metal strips together to form a circular structure that could solely support the large width of the skirt. This was made possible by technology which allowed iron to be turned into steel, which could then be drawn into fine wires. Technological innovation of s provided women with freedom best date outfits for guys choices. Bodices on the other hand, ended at the natural waistline, had wide pagoda sleevesand included high necklines and collars for day dresses; low necklines for evening dresses.

However, inthe female silhouette had slimmed down as the crinoline was replaced by the bustle, and the supporting flounce overtook the role of determining the silhouette. In order to emphasise the back, the train was gathered together to form soft folds and draperies [10] s dress style dress s tournure The trend for broad skirts slowly disappeared during the s, as women started to prefer an even slimmer best date outfits for guys. Bodices remained at the natural waistline, necklines varied, while sleeves began under the shoulder line. An overskirt was commonly worn over the bodice, and secured into a large bow behind.

Best date outfits for guys time though, the overskirt shortened into a detached basqueresulting in an elongation of the bodice over the hips. As the bodices grew longer inthe polonaise was thus introduced into the Victorian dress styles. A polonaise is a garment featuring both an overskirt and bodice together. The tournure was also introduced, and along with the polonaise, it created an illusion of an exaggerated rear end. Byskirts began to taper in the front and were adorned with trimmings, see more sleeves tightened around the wrist area.

Towards tobodices featured long but even tighter laced waists, and converged at a sharp point in front. Bustles lengthened and slipped even lower, causing the fullness of the skirt to further diminish.

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Extra fabric was gathered together behind in pleats, thus creating a narrower but longer tiered, draped train too. Due to the longer trains, petticoats had to be worn underneath in order to keep the dress clean. However, when approached, dresses moulded to fit the figure, [8] as increasing slimmer silhouettes were favoured. This was allowed by the invention of the cuirass bodice which functions like a corset, but extends downwards to the hips and upper thighs.]

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